Shameless confession time: I love Frozen.
There, I’ve said it, I’ve aligned myself with every six year old girl on the planet, and I don’t even care. It’s a great movie. The songs are catchy (painfully so). Elphaba and Veronica Mars sing in it. It’s a lot of fun. And there’s a ridiculously cute snowman.
Less fun is the creepy animation with the girls’ unnatural looks. Come on, Disney, enough with fake Barbie looking characters. (Beware the link; as an article about unrealistic body images for women, the lingerie ad that appeared when I read it was slightly ironic.)
Also less fun is the way “Let it Go” gets stuck in your head, or hearing every single small girl around the world sing it. Literally. I have been walking in Spain and heard a little girl singing it in the street. They were screening it in Norway when I was there (and you can go tour the places that inspired the film). Flying back home to Australia, I listened to another young girl singing it in the plane as we waited for take off. And for a while social media was awash with variations on “Let it Go” (and variations on “Do You Want to Build a Snowman?”). You can even sing along yourself.
Okay, I don’t love it that much. Please, make it stop.
For anyone awakening today from a coma some years in the making, Frozen is a Disney animation based on the Hans Christian Andersen fairytale “The Snow Queen”.
In the original, parts of a cursed mirror fall into people’s eyes and distort their vision so they can no longer anything good or beautiful in the world but only what is bad and ugly. A boy, Kai, falls victim to the mirror, and begins to hate everything around him, even his best friend Gerda. He’s taken by the Snow Queen far, far away but Gerda’s a plucky girl, and battles her way through to save him with her love. It’s a great story.
In Frozen, Disney has shaken up the story by making the Snow Queen a young queen called Elsa, who cannot control her ice-making powers and fears hurting those around her. Rather than offering her snowmaking services to local ski fields in need of some fresh powder, she runs off to set up camp on her own, far away from the rest of the world. She’s saved by the sacrificial love of a sibling rather than a suitor. Nobody gets married in the end. Is this a first for Disney fairytales?
The Snow Queen has been a pretty popular lady lately, appearing in a range of popular texts. In Frozen, she’s a very sympathetic character who just wants to control her abilities without hurting anyone.
She pops up on Once Upon a Time, the fairytale television program we’ve blogged about before, as a villain who turns out to be not such a villain after all.
And she features in Jackson Pearce’s fourth book in her modern fairytales series, Cold Spell, a series we’ve previously blogged about. I shall not attempt to explain the complicated shapeshifting world in this series (seven sons, twins, triplets, mermaids, snow queens, gypsies, bad werewolves, misunderstood werewolves all appear), but suffice to say in this case, the Snow Queen is evil and has hidden herself away from society on a frozen island. She recruits a man-harem since she is desperate for love, men that she uses and abuses and turns into werewolves, until one day she gets her comeuppance from a plucky girl Ginny with a lot of love in her heart for one of the man-harem members, her best friend Kai. Cold Spell follows the original story more closely than other iterations, in a modern setting, and tries to engender some sympathy for the Snow Queen, though certainly not to the same extent as in Frozen.
We’ve blogged here before about the current popularity of fairytales and how some have morphed over time into contemporary representations, as with Snow White and Red Riding Hood. The villain-misunderstood outsider-hero Snow Queen is yet another shapeshifting fairytale character to be recast in contemporary stories in more sympathetic terms. Based on the song and clothing choices of little girls around the world, Elsa from Frozen is the clear favourite of the current crop of Snow Queens.