Giles, Stiles, and trips to Sydney … GANZA Mark II

Last time I blogged about the GANZA conference, it took me a very long time to get around to doing it. So pick your collective self up off the floor, dear readers, because this time around I’m getting around to it a scant few days after the 2nd biennial conference, themed “Gothic Spaces: Boundaries, Mergence and Liminalities.”

The conference opened with a plenary session from Professor John Stephens about the Gothic in Children’s literature, which I throroughly enjoyed. Professor Stephens introduced us to the picture book of Cinderella Skeleton, who is my kind of princess. Not content with losing her slipper, in this version the would-be princess loses her entire foot.

cinderella skeletonThe next session I attended included papers from Anna Jackson (continuing the tradition of sitting in awe as you’re in the same room as people you’ve cited), Samuel Finegan, Erin Mercer and Elizabeth Kinder. The topics ranged from ideas about memory and privacy, to incest and rape, to the use of candles and simulacra to mimic urban legends, to the “armed bastards” of Life on Mars and Ashes to AshesThis little snapshot kind of gives you a feel for GANZA: postgrads, early career researchers and experts in the field mingle, and the content covered is broad ranging. Over the course of two days, we discussed the Gothic as it appeared in TV, film, literature, fashion, food, architecture, geography, medicine, disability and more.

My paper this time around was inspired by a conversation with my teenaged daughter, who has finally overcome her resistance to reading/watching “anything Mum works on” because her friends are all into Buffy, The Vampire Diaries and Teen Wolf. In fact, at any given point in time she’s usually more up-to-date than I am, since I tend to binge-watch when I have a looming deadline. Anyway, at some point she came home and in that shocked tone that teenagers use when a parent is right, asked “how I knew” that something I’d said would happen, would happen. I replied: “Because I’m Giles; the watcher from the margins. The teacher” to which she retorted: “and Stiles.” And of course, she was right: Stiles IS the Watcher of Teen Wolf; the token human, the guy who needs to be protected but who has the knowledge and research skills to develop the plans. Only he’s not an adult British tweed wearing bloke with a massive distrust of computers, so how do they keep him in the margins? By adding a series of illnesses and disabilities, of course. As the wolves are managing and embracing their “condition” of lycanthropy, Stiles is shown repeatedly to be weak, sick, incurably human. Or as he puts it, because he’s every bit as into pop culture as we are: he’s always Robin to Scott-the-teen-alpha’s Batman.

Day 2 saw the second plenary, this time from Professor Paul Giles. It focussed on the “Antipodean Gothic;” happily, something that felt more homely than unhomely to me (Roslyn and I both did our PhDs under the supervision of Professor Gerry Turcotte. If you type “Australian Gothic” into Google, the first two entries that pop up were both authored by him). This was followed by more fantastic panel sessions.

After the conference’s close and packing away the conference rooms, we headed off to the Hero of Waterloo in the Rocks for a Gothic trivia night and ghost tour. Unfortunately those of us who were actually carrying everything needed for said quiz hopped into a cab with Sydney’s worst taxi driver, who told us he had never heard of the Hero of Waterloo (Sydney’s oldest pub and a stop on the famous Rocks ghost tour) and didn’t know of Fort Street (!) when we helpfully gave him the street address instead. He then asked us (from Auckland, Newcastle and Nowra) for directions. What ensued was a whacky and needlessly long and expensive trek through Sydney with directions coming from a passenger’s iPhone that was on 1% battery. When I realised that nothing in the cab worked – not the GPS, not the clock, and I’m willing to bet that there was something odd with the meter, given that the ride home was about half the price–we began to speculate that perhaps we had slipped into some kind of fantastic wormhole ourselves. Finally we pulled up just past the pub in a screech of brakes, to be greeted by a lot of anxious quiz-goers who were wondering if they had gone to the wrong place.

81 lower fort street

There were some pretty big hints as to its location.

There were some pretty big hints as to its location.

Anyway, all that drama aside, we had a lovely quiz which was very tight and involved quite minimal smartphone-based cheating. We then headed into the depths of hell rather warm basement and cellar and were treated to a quick history of how publicans past used to drug likely souls, shove them down a trapdoor and then push them out a tunnel and onto a boat while they were still out to it. Our host had one of those lively lilting Irish accents that helps you suspend disbelief–I would have cheerfully listened to him recite the Periodic Table of Elements, I think. The tunnel and trapdoor have long since been “made safe” but there are still shackles in the sandstone that used to be used as a kind of holding bay on busy nights. There’s also apparently a ghost, the late wife of a former publication who shoved her down the trapdoor during an argument and snapped her neck in the process. So be careful about those petty arguments with your spouse, people, especially if shanghai-ing strangers is an entry in your significant other’s CV.

Sadly, we didn’t see any ghosts, but that could be because I didn’t think through my wardrobe choices and turned up wearing my favourite Ghostbusters T-shirt. Sorry, guys.

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