Taking Long Titles to the Next Level: The Vampire Diaries: The Hunters: Book 2: Moonsong (inspired) by L. J. Smith

The soap operatic nature of the television version of The Vampire Diaries pales (pales! Get it?) in comparison to the saga which has unfolded around the publication of the novels on which it is loosely based. In 1991, L. J. Smith signed a contract with HarperTeen to complete a trilogy based around characters they’d already developed. These included a beautiful high school queen bee/orphan, Elena, and two competing vampire brothers, Damon and Stefan. The former was powerful and liked to snack on humans; the latter survived on animal blood and valour.

The books sold well. Smith was asked to write a fourth book. It also sold well. And then everything went quiet. According to Smith herself, she “lost her imagination” whilst caring for seriously ill family members, and only began to write again after her mother’s passing. In the interim, of course, another eternally adolescent “vegetarian” vampire had arrived on the popular culture scene, in the form of one Edward Cullen. Both Edward and Stefan are intense, in love and attending high school. Again. They both also appear to favour high hair …



In 2009, Stefan, Damon and Elena once again appeared on bookshelves in Book 5 (and book 1 of “The Return” trilogy), Nightfall. Shadow Souls and Midnight appeared in 2010 and 2011, respectively. In September of 2009, the CW network aired the first episode of TVD, as envisaged by Executive Producers Kevin Williamson and Julie Plec. Williamson and Plec have rewritten the provenance of the two vampire characters, and someone at Alloy packaged up the Stefan’s Diaries novels (six and counting), which tell the “real” story of the previous interactions of the brothers. As opposed to the other real story created by the author, that is. Meanwhile, Smith began work on a third trilogy, The Hunters, and had apparently written the first book, Phantom, but says it was completely replaced by the work of a ghostwriter prior to publication in 2011. By February of 2011 the rumours had been confirmed: Smith had been “sacked” from writing the books.

Consequently Phantom and the most recent installment, Moonsong are merely “inspired” by L. J. Smith, not written by her. The style of the latest novels bears more than a passing resemblance to that of the ghost-written Stefan’s Diaries books. And they are increasingly showing glimmers of homage to the TV series, such as the opening pages when Elena and Stefan have a “normal” boyfriend/girlfriend moment atop a Ferris Wheel (p2 of Moonsong, echoing Episode 2 of Season 2).

So, why haven’t I explicitly discussed shapeshifting yet? Well, because the story shifts shape more often than the characters do. The original novels included a vile character named Tyler Smallwood, who was an aggressive would-be rapist and werewolf. He didn’t have a long lifespan. In the TV series, he’s Tyler Lockwood, and while he starts out as a jerk, he seems to be onside with the rest of the crew, for the most part. Until Original vampire Klaus makes him a hybrid, that is. Tyler is thrilled to be a hybrid because it means he can control (and avoid) transformations. Unfortunately it also means that he is bound to Klaus’ will. The title of the latest novel, Moonsong, made me think we were heading back into werewolf territory, as did this mysterious post online which involves Elena’s friend, the cute but nerdy and nervy redheaded teen witch Bonnie, and a pure white wolf with blue eyes, named Xander (in case anyone was missing Buffy‘s redheaded witch Willow and her early love triangle between Xander and werewolf Oz, presumably).

“Little redbird”

Perhaps unsurprisingly, what Smith claimed to be planning in the above post didn’t quite happen. Caroline has had the longest pregnancy in history (for three 600 page novels, now) and it doesn’t look like being resolved anytime soon; “Xander” became “Zander;” and  whilst Zander claims to be a werewolf and has white hair, he never actually shifts.

Do you need a minute to process that one?

Like Tyler in the TV series, who is capable of controlling his transformations, Zander and his packmates are also able to ignore the full moon. In their case, it is because their blood is pure, rather than impure — they are the Original werewolves (or at least, descendants of them, as Zander laughs off Bonnie’s suggestion that he is immortal). Or so they claim, because we never see them doing anything other than drinking, shoving each other, and eating pizza. Certainly nothing involving metamorphosis. College guys, huh?

So, is a werewolf who’s always a were, rather than a wolf, really a shapeshifter? How does one have a novel ostensibly about a shapeshifter, yet never have him shift shape? Will all be revealed in the final book of the trilogy, Destiny Rising, due out in October? And if the redhead above is Bonnie, who on earth is this?

Another “little redbird”?


One response to “Taking Long Titles to the Next Level: The Vampire Diaries: The Hunters: Book 2: Moonsong (inspired) by L. J. Smith

  • roslynw

    Very strange, the whole thing. I can’t imagine JK Rowling or Stephenie Meyer being replaced by other writers for their series, but I guess there must have been some kind of different situation here where the publisher was legally allowed to do this. Makes the whole issue of copyright and intellectual property puzzling, to say the least.

    Now I’m having flashbacks to my childhood confusion over my beloved Trixie Belden books when I tried to figure out why some were written by Julie Campbell and some by “Kathryn Kenny”, apparently a pseudonym for a bunch of different writers. And then there’s some very famous current writers publishing new books with their names in big capitals, and in smaller writing you can see that someone else actually wrote it for or “with” them (or we’re not even told that much).

    Replacing authors bothers me, but changes to character and plot in the TV or film adaptations does not, since that is common practice (though diverging in such significant ways as The Vampire Diaries is unusual!). But the involvement of some authors by writing or being involved in screenplays indicates some authors want/insist on/ are in a position to get more control over their literary creations on screen (Suzanne Collins was a writer on the Hunger Games films, as was Melina Marchetta for Looking for Alibrandi).

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